Nov 26

Well… that was a long break wasn’t it

ITH-CoverSo, I just realised I haven’t done an update since February. FEBRUARY. And it’s almost December.

How did that happen?? (I think someone stole a chunk of my year! Help!)

And you know, it’s not like things didn’t happen this year. Writing, and life, and the eternal balancing act between the two. I even had some short stories published. So not a complete waste then, yeah?

‘2B’ was published in Insert Title Here, from Fablecroft

A lovely reviewer on Goodreads describes it as “an incredibly strange, magical and wonderful story of a town where things grow on trees, such as pencils and car tyres.” And I love that description. Thanks Katharine :)

And thanks Stephanie who says: “If you’ve never read any of Anderton’s work, this could be a good place to start, as this story highlights her grasp of imagery and strangeness, while still being able to wring deep emotion out of only a handful of words. Dreamlike and haunting, this is one of my favourites in the anthology.”

510Zq35bwWL._SX331_BO1,204,203,200_Now that certainly warms this little writer’s heart.


I was also fortunate enough to be asked to contribute a story for the Australian Horror Writers Association anthology, In Sunshine Bright and Darkness Deep.

In Sunshine Bright and Darkness Deep is an anthology like no other. The tales herein will take you on a weird and terrifying journey. This inaugural showcase anthology features the work of just a handful of the many talented and darkly imaginative authors who make up the Australian Horror Writers’ Association. If you are unfamiliar with Australian horror, let this book be just the first step on a long voyage of discovery.

I’m sure you can see why I was excited to be involved! My story ‘Bullets’ is a nasty little fairytale about bush fires and the isolation of the Australian outback. Check out the anthology here.



41uxFc+h0IL._SX331_BO1,204,203,200_My story ‘Unnamed Children’ was released in October in the Bloodlines anthology, from Ticonderoga Publications. It is edited by Amanda Pillar who also edited the wonderful Bloodstones, and ‘Unnamed Children’ is a bit of a spiritual successor to my Bloodstones story, ‘Sanaa’s Army’.

Bloodlines contains “16 Journeys on the Dark Streets of Urban Fantasy” from some amazing authors and I’m honoured to be among them.

The city in ‘Unnamed Children’ demands sacrifices from its residents. You get to live in comfort and safety, away from the scary outside world. You will be looked after by the doll-like Wards, who run and care for the city and its people. But it’s not free. Everyone must contribute. Some, more than others.

‘Unnamed Children’ is a story about living on the edges, about stepping off the path, about not belonging in a city that has no room for outsiders. Ultimately I think it’s about choosing between security, and freedom. Oh, and blood magic. It’s definitely about blood magic!


YearsBest2013And last but not least, I only just noticed this wonderful review of the Year’s Best Young Adult Speculative Fiction 2013, published by Twelfth Planet Press and containing my story, ‘Mah Song’. There are some crazy amazing names on that cover (OMG look at them!) and it’s thrilling to be listed alongside them.

Particularly when A. V. Mather on Marianne de Pierre’s Escape Club blog, says “These are the modern day folk stories and fairy tales – the monster in the woods, the wolf in granny’s clothing, the dark nature within – complete with morals, cautionary predictions and deft commentaries of human nature. They are thought-provoking, sometimes shocking, and heartfelt. We should give thanks that there are writers who care enough about the adults of the future to craft tales that speak to generations increasingly bereft of guidance. ‘Mah Song’ by Joanne Anderton was a standout for me as a chilling tale of human nature and the origins of religion and civilisation.”



There, see. Things did happen this year. I probably should have talked about them at the time. :)

Better late than never?


Feb 28

In February, the writing continues

Today is the last day of February, and the WIP is now 50k. I’m still behind my goal.

Almost two weeks of this already short month were written off when my husband became very ill, and then had a reaction to the antibiotics that were, up until that point, the only thing that seemed to help. Those were two weeks of very little sleep, a lot of worry, many trips to the doctor and the pharmacy, and very little writing. I did have a major freak out at one point, but thankfully I am surrounded by wonderfully supportive people. Husband is well again, which is really all that matters.

Once again, life happened. I keep plugging away, snatching writing time when I can find it, and thoroughly enjoying the story as it unfolds. It’s a rough as guts 0-draft, but that’s ok. Actually, that’s the point. That’s how I work out what the hell the story is about in the first place.

March will also be troublesome — thanks to a work trip that will take up all of the last week. But I know what my goal is, and I will keep working towards it.

Feb 22

The Australian Shadows demon needs a home!

Guess who I picked up at the airport this week? (yes really, that’s what happened)

IMG_1055The Australian Shadows demon! Otherwise known as the award The Bone Chime Song and Other Stories won last year! I think I shall name him Bob. Isn’t he amazing? Also, he’s really heavy. But he needs a home.

Should he sit on my desk, where he can scowl at me as I work? “Write more words or I’ll eat your soul”. He can chat to the robot lamp if he gets lonely.


Or on the shelf with a couple other awards, and a herd of tiny elephants?

IMG_1058 In the lounge room, where he is lord of all he surveys?


Or just freaking out the dog some more?


It’s hard to decide, because he is just that awesome! Any thoughts? :)


Feb 01

On January, goals and the list

Ok so it’s February. At this point I was hoping to write a blog post about how I’d crossed off ALL the things on my January to-do list. Sadly, that’s not the case, although I’m pretty close!

30k on my current WIP – The Fiery Skies – should have been possible. As it is, I only got 25k.

I’m not beating myself up about it. There are reasons I couldn’t quite make that last 5k. A lot of them are the same reasons I reconsidered my original goal of 45k. Some are outside of my control (like my poor, very sick husband currently asleep on the couch) and there are some I need to address. I’m already working on those.

I love lists. I need them. I have my to-do list on a whiteboard in my study, and I cross it off as I go rather than wipe it clean, so I can see my progress. It keeps me honest, and focused, and I love the feeling of crossing something off like that. Looking up at all those tasks I’ve completed actually gives me a little rush. It says, yeah, you might not have got to 30k but look at everything else you did! So you should keep going! You can do this!

Sometimes life can be shitty and get in the way. The only way to deal with it AND write that book (or whatever your goal may be) is to keep on working.

Dec 11

Eddings Reread! The Tamuli

EDDINGS RE-READ: THE TAMULI (Domes of Fire, The Shining Ones, The Hidden City)

Because we just don’t have enough to do, Alex, Tehani and I have decided to re-read The Elenium and The Tamuli trilogies by David (and Leigh) Eddings, and – partly to justify that, partly because it’s fun to compare notes – we’re blogging a conversation about each book. We respond to each other in the post itself, but you can find Alex’s post over here and Tehani’s post here if you’d like to read the conversation going on in the comments. Also, there are spoilers!

The Diamond Throne reread is here

The Ruby Knight reread is here

The Sapphire Rose reread is here

Well this is the coolest cover for Domes of Fire I’ve ever seen!

Dear readers,
Here’s an interesting thing. We’ve been writing these reviews in a Google document. This one, entitled Domes of Fire, has existed for a few months without anything being written in it. This is despite the fact that I think we would all have said that we enjoyed the second trilogy a lot, if not as much as the first, and that we all devoured the second trilogy on this re-read just like we did the first.

Aw Alex. You don’t think all of us being crazy busy had anything to do with it? :)

It’s just that…well, there’s not really that much to say. We said most of it with the first trilogy, and the reality is that this second set, the Tamuli, is basically a reworking of the first.

Heh, I like that Eddings pretty much acknowledges that about halfway through The Shining City:

“It has a sort of familiar ring to it, doesn’t it Sparhawk?” Kalten said with a tight grin. “Didn’t Martel – and Annias – have the same sort of notion?”
“Oh my goodness, yes,” Ehlana agreed. “I feel as if I’ve lived through all of this before.”

One will not point out similarities to the Belgariad either. Or the Mallorean. One will not.

Almost identical set of people, very similar set up – except just like any sequel, things are More Impressive and More Worse. Not just a puny god, but a serious one! Bhelliom’s not just an object but an imprisoned eternal spirit! Sparhawk is Amazing!!

…ok that one’s not that new.

What follows therefore is a general discussion of the entirety of the Tamuli – what we liked, what disappointed us, etc.

I think part of the problem was that once we started reading, we just couldn’t stop – having glommed all six books in such short order made it super hard to separate this batch into separate reviews! So this one giant piece is a much more sensible idea.

Oh that’s absolutely it! I read all six in this big BINGE… and then you wanted me to sit down and be sensible about each one? Can’t I just say ‘yay’ Sparhawk? Also where are my notes…?

I quite like the opening to Domes of Fire proper, with Sparhawk riding through the streets but this time being recognised. It sets up the idea of familiarity and parallels with the first trilogy very neatly, and suggests that it’s all done deliberately. While I do recognise that this is somewhat lazy writing, I definitely understand the appeal of it for readers – because it appeals to me, when its done well: it’s the same reason why people like staying in the same hotel chain everywhere. Familiarity is comforting. I like reading for comfort sometimes.

I don’t see it as lazy at all. I see it as fanservice :)

You know what else can be lazy writing? The “As you know, Bob” thing, which Eddings employs over and over to let us know/remind us what’s going on. AND I DON’T CARE THAT HE DOES! It’s still completely and utterly readable. I’m not sure what it says about me. Or maybe it’s just that even something “lazy” can actually be done well?

I think it’s done with humour, too, often, and that certainly helps his cause.

Yeah usually it’s just so much fun to read the ‘as you know’ doesn’t bother me as much as it should.

We are such fan girls.

So, straight into the issues: Danae manipulates a lot of people with kisses in these stories. It made me uncomfortable.

Yeah. Despite the efforts to show women in positions of power, and able to WIELD that power, with Sephrenia, Xanetia, Ehlana, and even Aphrael/Danae herself and so on, there is still a lot of dodgy gender stuff going on.

Women and power… Ehlana comes into her own, but she does still get damsel’d – again. She shows herself quite resilient etc, but still… I’m really not sure what I think of Melidere. Great that she’s smart. Kinda fun the way she plays Stragen and all – you never see it but I have no doubt Stragen sees himself as a stud. Very uncomfortable about her manipulation of him into marriage. Urgh.

Yeah the gender stuff in these books really pissed me off by the end. SO MANY of the female characters are ‘strong’ because of their ability to manipulate the men around them. And do so ‘prettily’ so awww it’s actually ok. We got more ‘haha women are obsessed with marriage, poor men’ too.

Yes. Icky.

However and meanwhile, SEPHRENIA AND VANION 4EVA.

They are so adorable! And I love that even though things get tough, they work things out. I also love they are a mature and completely lovely couple who appreciate and work with each others’ strengths!

And a Styric city! While there are some uncomfortable instances of racism that don’t get dealt with, I think this trilogy makes a sturdy – if, I don’t know, simplistic? – attempt at confronting it. Sparhawk confronting his own prejudices – being willing to protect meek and submissive Styrics but being affronted when they’re all assertive and happy – is a really nice moment.

Simplistic, definitely. But yes, at least it’s there.

Yes! An excellently written scene. Very impressive to see this sort of examination of prejudice (however briefly) and the understanding that it can be unconscious and inherent to human nature, and challenging to deal with even when one is self-aware. Sparhawk’s conversation with Stragen where he says, “I just found something in myself that I don’t like.” is so short but encapsulates things very well.

Aw Sparhawk. Poor darling. Also? Older man learning about himself and still growing as a person? That is awesome.

Yes, very good point! That’s not something you usually see, is it. Older men are so often described as set in their ways etc. That’s a part of Sparhawk’s character I’d not noticed before. And it’s nice that he can be strong in ways like this, not just chopping off heads, but emotionally too.

I particularly like how this comes around again later, when Vanion confronts Sephrenia about her behaviour towards the Delphae, and he says, “Nobody’s different! We have to believe that, because if we don’t, we deny our own humanity as well.”

And Sephrenia’s whole arc for the last novel or so is dealing with her prejudice against Xanetia and the Delphae.

That said, a “universal sisterhood of all women”?? Uh. No. Not until a lot of other issues are dealt with.

I have a BIG issue with Xanetia that I’d not noticed before, but this re-reading really hammered it home. She and her ability to read people’s minds are just one big plot device. After all the machinations and the foreshadowing, how do we bring the conspiracy out into the open? Xanetia reads people’s minds. BAM. How convenient.

I like her relationship with Sephrenia and the growth that Sephrenia goes through, but Xanetia herself… she’s just there to tell everyone who the bad guy really is so the story can progress. And it’s a revelation that isn’t earned, at all.

I quite like Xanetia – she’s kind of taken Sephrenia’s role as serene and helpful lady, in this series, because Sephrenia gets a bit more development. But yes, the mind-reading is a leedle too convenient.

Oh don’t get me wrong, I *like* Xanetia, because she’s an Eddings character so how can you not? I just find her mind reading abilities and their place in the plot a little bit of a cop-out. Same can be said for Bhelliom’s ability to jump around the world in the blink of an eye, but that doesn’t stop it being hilarious and cool.

Also meanwhile, I heart Bhlokw. And the Troll-Gods as a collective.

They definitely grow on you! I really enjoyed how much more intelligent they are by the end than they are first presented. In fact, Eddings was actually rather clever there – when we first meet trolls, they are scarcely more than animals, but by the end of the series we have come to realise they are a complex culture with a firm religious beliefs and a strong sense of right and wrong. Fascinating really, if you’re looking at it from a tolerance and acceptance point of view…

Or he hadn’t thought that far ahead and just kinda shoe-horns the trolls into that role… but hey, maybe I’m a cynic.

The whole religion thing in this trilogy is much more in-depth than in the Elenium I thought. There was more exploration of the idea that Danae is actually a goddess, but one among many, and that the gods and goddesses of Styricum are quite different from the other religions as well. I found some of the discussion, particularly pertaining to the Elene god, rather interesting.

There’s definitely more about religion here. The bits about the exquisite politeness between them – how hard it was to get the Atan god in the right frame of mind – is mostly endearing.

The discussion of slavery in this series (focussed around the Atans and Mirtai in particular) is interesting. On one hand, that Atans are effectively a slave race, yet they are self-governing and pretty much are the means by which the Tamul empire works. However, Mirtai’s experience in slavery outside of this context was pretty horrific. I’m not sure how to unpack that juxtaposition.

It made me quite uncomfortable a lot of the time. The idea that the Atans had put themselves into slavery to look after themselves seemed way too disingenuous… and the fact that they basically rule themselves and that the ‘slavery’ is largely titular does nothing to make it feel better. Because SLAVERY. And as you say, it does lead to Mirtai having a seriously awful set of experiences.

Yeah, I agree with you there. It always made me feel uncomfortable. They whole “oh but they WANT to be slaves! They’re better off that way. No really, see if they weren’t slaves they’d all kill each other” made my skin crawl.

It was good to see Eddings didn’t skip the class issues in this trilogy either. Khalad takes Kurik’s role in examining the nobility, but there are lots of instances where peasants are underestimated and aristocrats proven silly. Does it go too far, do you think?

I think it does, mostly because Our Heroes are almost all nobly born but they’re not idiots – which just adds to their exceptionalism. Which is now so overloaded it’s groaning.

Aristocrats who aren’t knights are usually the silly ones. Funny that.

Do you know, I don’t think I’d picked up that differentiation! and you are so right!!

I originally read these trilogies in the wrong order, with the Tamuli first, and I still think that Eddings did a really great job with them. I didn’t ever feel when reading that I didn’t know the characters and it was never a problem figuring out what had gone before, or the dynamics of the relationships. Not because Eddings over-explained, but because the characters are so well-drawn. Take Kurik and Khalad for example. They essentially play the same role in the two trilogies, but they are still distinct people (and it’s lovely that Sparhawk never stops missing Kurik throughout the books). That’s not easy to achieve with a large cast.

It still breaks my brain that you read them out of order!

Me too!! That’s just… inconceivable  😉

Anyway – it would have been so easy to treat Kurik as “hey, remember that guy?” I’m so glad the Eddingses didn’t. I really like Khalad.

And the brief moment where we get to see Kurik again… *sniff*

The way Bhelliom slowly grew a personality was sweet – I particularly liked the scene where Sparhawk has it create a wall to stop the trolls, and when Sparhawk compliments the wall, it gets all self-deprecating. I also enjoyed the point where Aphrael realises that it seems Bhelliom had actually manipulated her into the events of the world, rather than her machinations being at her own instigation.

Oh I do love Bhelliom. Referring to the Earth as its child is so cute! And that brief SF moment of showing other worlds, and the alien soldiers they’re fighting, is quite weird. The discussions of origins is fun.

Oh me too! Love how it starts off all formal and uber-god-like, but Sparhawk and the gang rub off on it. Soon enough its cracking jokes. Pure Eddings.

Some favourite quotes:

“I wish she wouldn’t do that,” Stragen complained.
“What’s the problem?” Kalten asked him.
“She makes it seem as if the light in her eyes is the sun streaming in through the hole in the back of her head. I know she’s far more clever than that. I hate dishonest people.”
“Let it lie, Kalten.” (Domes of Fire)


“Is she speaking for all of us?” Talen whispered to Berit. “I didn’t really have a girlhood, you know.” (Domes of Fire)


“You’re all just itching for the chance to do Elenish things to those border guards.”
“Did you want to do Elenish things to people, Ulath?” Kalten asked mildly.
“I was suggesting constructive Elenishism before we even got here.” (The Shining Ones)


“Thine Elenes are droll and frolicsome, Sephrenia of Ylara,” Xanetia said.
“I know, Anarae,” Sephrenia sighed. “It’s one of the burdens I bear.” (The Shining Ones)


“Knights, your Grace,” Komier mildly corrected his countryman. “We’re called Knights now. We used to be brigands, but now we’re behaving ourselves.” (The Hidden City)


omg I loved that we got more of the Preceptors in these books. Also eeee Bergsten!

Personally, I never understood the ending. Would you really give up godlike powers to live a normal life? I mean REALLY? Maybe that’s just me, but that’s never rung true to me. Hmm superamazingmagic or your ‘humanity’. I’ll take the powers thank you very much. (My husband informs me that yes, this is probably just me…)

He knows you well…

It would have been a very different book if that had happened; Sparhawk would not have been the hero we know if he had kept the powers. I’m not saying I wouldn’t read that book, but I think it would have been super jarring. For all he’s awesome etc, there is an effort to make him at least a little humble, and certainly content with his station in life. Staying a godlike being would have been a serious curve ball.

Maybe I should change that to – I never understood Sparhawk’s choice at the end. I mean yeah, totally works from a character and story telling point of view but… god-like powers man! I’d keep ‘em 😀

So the verdict? Clearly we still loved the experience of reading these novels again — not just a nostalgia trip but a genuine pleasure. And yet, with the weight of experience and a few years, we also can clearly see there are problematic elements with the books that we may not have noticed when we first fell in love with them, or they may not have seemed quite so concerning then. Is it okay to like books even though they are flawed?

This is pretty much what we decided for the first three, wasn’t it? Yep, flawed but still so much fun. I think it’s perfectly reasonable to like any media AND be aware of its flaws at the same time. I know that a big part of it for me is that I read these at just the right time and fell so completely in love with them. That feeling stays with me, flaws and all.

As you say, I think that loving any problematic thing is ok – we’re women, we kinda have to be ok with it on some level, right? Doesn’t mean we shouldn’t point out the flaws and work for things to be better, but nothing is going to be perfect and accepting that can sometimes be ok… I think? I hope so. Because while I may never read these again (although I wouldn’t rule it out!), this has been a fun ride.


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